Photo courtesy of Steven Angel
“It has become my bliss. It’s all
based on pulse, mind, body, soul synchronization, using the drums to express
and release emotions—anger, fear, guilt, shame.”
Steven Angel
Founder of Drumming for
Your Life
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GIVING
A
weekly look at those who help.
A former prodigy with ill-fated
dreams of fame and fortune, Steve Angel now shows others how to let go of
pain and anger through drumming.
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A 16-year
old boy sits hammering a drum at Camp Karl Holton, a Los Angeles County
juvenile probation facility in San Fernando. He swings a mallet first with
his left hand, then with his right, then furiously with both.
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He is thinking about his brother and
sister, killed three years ago in a gang-related shooting. The tip of one
mallet goes flying. A blister the size of a dime forms in the fold of his
left hand.
Sitting at the far end of the circle is Mario, 18.
He strikes the drum with less force. Most of his anger, he says, is gone.
The scar on his left check was left by a bullet, but he says he’s through
with the streets. He’s going home soon. This time, he says, he’s not coming
back.
The anger and regret of 11 boys with drums sound
like thunder and look like battle. The drumming diminishes gradually, and
when it ends, there are exhausted smiles, heaving chests. Silence.
“Good,” says Steven Angel.
Angel, 46, is founder of Drumming for Your Life,
a musical approach to the health and healing of mind, body and spirit based
in Santa Monica. A child prodigy, who performed at age 6 with the legendary
Buddy Rich looking on, Angel spent most of his life on the fringe of stardom.
Two years ago, he started the drum therapy program,
which has been used by cancer patients, yoga students, men’s groups, high
school students—anyone harboring emotions trying to emerge.
For the boys at Camp Holton, it is a chance to express
feelings that words alone cannot. Incorporated into the music program by
volunteer instructor Fletcher Beasley, drum therapy serves as a vent and
as a bond.
“There’s a lot of anger, resignation to the way
things are in the world,” Beasley says. “There’s a lot of sadness and
fear. A lot of that is lifted from them by this program.”
Mario says he feels good at the end of the one-hour
session, although he isn’t sure exactly what it is about the drums that
makes him feel that way.
“You get everything out,” he says. “You let out
some stuff you don’t even think about. It’s weird.”
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